Day 265: Don’t Forget the Popcorn, yes Real Physical Actual Popcorn.
… a world reality that is draped in flags, a quiet street, a suburban homeland, a boy on a bike chucks newspapers, there is a white picket fence, figuratively the pale of decency. Herein lies the set-up of an action film, or a Horror film. Why so? Meet the family – they’re all so nice – what could possibly go wrong?
For ‘entertainment’ to come to represent an experience of mind, rather than existing more simply as a noun, grounded into physical objects, as something physical, taking place in time and space, what is required is a shift inducing element, a trigger or a hook. This will take this physical entertainment into its energetic equivalent. In this stereotypic ‘set up’ of a common ‘story’, what is first of all established is like a core of sentiment and strong feeling that is depicted as flourishing within the everyday normality of family life – this core will then become the resource of powerful reactions – there may be an intrinsic conflict, such as there exists a separation in the family, or there is a perceived threat to the home’s smooth-running, or an invasion of some kind, or an assault upon its integrity – which then accumulates into justifying extreme behaviors and violent actions (beyond the pale) in the name of that which has to be protected at all and any cost… here, the essential value of the exclusive family construct acts like the fulcrum of the ‘story’. Throughout the narrative we are reminded of the relationship lines that are anchored into the family core, these are the lines available for the attachment of the emotional hooks, which will then support the shift into the energetic form of ‘entertainment’.
So, in ‘Horror film’, first to check out the words. Here is a term in which the energetic experience of ‘horror’ comes already attached to ‘film’, the film in this ‘genre’ is defined within and by emotional and feeling reaction. Where ‘film’ as a thing in itself is a reference to what it consists of as a layer of chemicals as images embedded into the surface of a transparent strip of celluloid, so as to be dragged through spools by means of cogs and passed in front of a beam of light, it then becomes the physical visual effect of the resultant fast succession of images upon a screen, and includes the illusions of movement (the ‘movie’) – where the Horror film evolves from this is to now include the experience of seeing and reacting to the images displayed. Contained within all this there is the element of ‘story’ where here again within the word there exists a physical package of information that has been completed in a certain way, involving events in time and space, something that happened and the consequences of that – but then there is also in ‘story’ our energy experience within our memories of being told a ‘story’.
This is about how from out of a programmed ‘entertainment’ ‘history’: we can learn to stand up from the systems of mind and consciousness, and learn how to see the media for what it is, by using practical means to deconstruct the filters that we have accepted and allowed and then become inured to.
When and as I see myself being drawn into a movie… I stop, I breathe. I make contact with the physical, I make sure that “I am here.” And then in breath I sound the words “I am here.”
I realize that a point has come up in the movie where I have gone into reaction, and so I commit myself to decide for and in support of myself to investigate this reaction.
Here are the instructions to the process of accessing our life-force, our beingness, our physical bodies and walking through the mind and consciousness.
EQAFE: ‘The Crucifixion of Jesus’, has been a great support to me because hear within these interviews, presented through the Portal, the actual teachings of Jesus, rather than the ones that were to be, after his death, tweaked and twisted into the four approved versions of his life as the Gospels. How the political message of Equality and the reality of Equality and Oneness were skewed into a religious mantra so as to suit the interests of the system.
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